| ESSAYS |
| Donald J. Greiner |
Fiction as History, History as Fiction: The Reader and Thomas Pynchon's V. |
| Janet Sharistanian |
The Poet as Humanitarian: Randall Jarrell's Literary Criticism as Self-Revelation |
| Walter Taylor |
Faulkner: Nineteenth-Century Notions of Racial Mixture and the Twentieth-Century Imagination |
| John J. McLaughlin |
Richard III as Punch |
| Roy Scheele |
Sensible Confusion in Frost's "The Subverted Flower" |
| Jerome Mazzaro |
The Recent Poems of Elizabeth Bishop |
| POETRY |
| Doug Abrams |
Lengthening |
| David Bergman |
Intercepted Courier |
| Ralph Adamo |
Homecoming |
| FICTION |
| James Lott |
The Apotheosis of Malinda Argenbright |
| D.J. Cohen |
Before the Revolution |
| Warren Leamon |
Edward's Object |
| REVIEWS |
| Jack W. Weaver |
Selected Poems by Austin Clarke; A Slow Dance by John Montague; The New Estate by Ciáran Carson |
| Fred Shilstone |
Shelley, the Pursuit by Richard Holmes |
| Mechthild Cranston |
Poems by Rene Char |
| Jack De Bellis |
Carson McCullers by Richard M. Cook |
| Robert Stewart |
American Poets in 1976 ed. by William Heyen |
| Larry S. Champion |
Shakespeare's "The Phoenix and the Turtle": A Survey of Scholarship
by Richard Allan Underwood |
| Skip Eisiminger |
I Hear America Talking: An Illustrated Treasury of American Words and
Phrases by Stuart Berg Flexner |
| Charles Israel |
All My Mirrors Lie by Larry Rubin |
