| ESSAYS |
| Trygve Thoreson |
Mark Twain's Unsentimental Heroine |
| M. Banning Eyre |
Naipaul at Wesleyan |
| Clayton A. Hubbs and Joanna T. Hubbs |
The Goddess of Love and the Tree of Knowledge: Some Elements of Myth and Folklore in Chekhov's The Cherry Orchard |
| FICTION |
| Buford Scrivner |
The Illusionist |
| Anthony E. Stockanes |
Pritzker Is Taking the Cure |
| Joyce Carol Oates |
The Mirror |
| Louis Phillips |
Eldorado |
| Laurie Pons |
The Last House Tour in Savannah |
| Sandra Schor |
Head-Phones |
| F. Barthelme |
Black Tie |
| Priscilla Stewart Randolph |
Her Dear Daddy |
| Ben Satterfield |
Rites of Passage |
| POETRY |
| Roseanne Coggeshall |
After Reading "Blood, Hook, and Eye" |
| Laurence Donovan |
Poet |
| Virginia Walter |
You |
| Two Poems by David Citino |
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| Three Poems by James Brooks |
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| Paula Rankin |
The Red Shoe |
| Jane Hixon |
The Old Widow |
| Elizabeth Murawski |
The More the Rope Wears |
| Warren Leamon |
It Ended Like This |
| Cathy Smith-Bowers |
Letter to Alice |
| John Rosenwald |
I.2 |
| REVIEWS |
| Luther Tyler |
Coleridge & Co.: A Review Essay |
| William E. Cain |
Beyond Formalism: The Politics of Interpretation |
| Lee K. Abott, Jr. |
Dubious Persuasions by Jack Matthews; Ladies Who Knit for a Living by Anthony E. Stockanes |
