| ESSAYS |
| Ronald Bowman |
James Dickey's War Poetry: A "Saved, Shaken Life" |
| Marjorie E. Cook |
The Serious Play of Interpretation |
| FICTION |
| George Garrett |
A Letter That Will Never Be Written: An Excerpt from the Novel Elizabeth & James |
| Stephen Dixon |
Come On A Coming |
| Bo Ball |
Myrtie's Salvation |
| Otis Douglas |
Heavy Weather |
| Harriet Gay |
Tullia |
| John Eberth |
Survival |
| James W. Lillie |
The Rat's Scalp |
| POETRY |
| Two Poems by Laurence Lieberman |
|
| Jon Daunt |
Montauk Point, New York |
| Three Poems by J.W. Rivers |
|
| Karl Watson |
Dover (AFB), Deleware |
| Two Poems by Susan Schaeffer |
|
| Mark DeFoe |
The Accident |
| Theresa Bacon |
The Gramma Poems |
| Quitman Marshall |
After the Wedding |
| REVIEWS |
| Luther Tyler |
Invade Mecum: Coleridge, Austin, and the Tones of Deconstruction |
| Alan Axelrod |
The Image of the City by Burton Pike |
| Jan Nordby Gretlund |
Flannery O'Connor: The Imagination of Extremity by Frederick Asals |
| Hallman B. Bryant |
The London Muse: Victorian Responses to the City by William Thesing |
| Anthony Rudowski |
Evangelist of Race: The Germanic Vision of Houston Stewart Chamberlain by Geoffrey C. Field |
| Eric J. Sundquist |
The Coincidental Art of Charles Brockden Brown by Norman S. Grabo; Critical Essays on Charles Brockden Brown by Bernard Rosenthal |
