Michael Groden
James Joyce's Ulysses in Hypermedia: Problems of Annotation

Novelists' and Poets' Uses of Footnotes

In the eighteenth and nineteenth centuries, writers sometimes included their own footnotes and marginal commentaries in their novels and poems for serious, comical, or satirical purposes, as in Coleridge's Rime of the Ancient Mariner, Fielding's Tom Jones, Sterne's Tristram Shandy, and Pope's Dunciad. In the late twentieth century, they appear in novels usually to be ridiculed or caricatured, often to stunning or hilarious effect.

In Vladimir Nabokov's* Pale Fire (1961), for example, a novel in the form of an annotated edition of a poem, the annotator desperately tries to commandeer the poem to give it a meaning the poet refused to provide. In one chapter of Jonathan Coe's* novel The House of Sleep (1997), a sleepy film-journal editor inadvertently omits one footnote number from a filmmaker's annotated memoir, causing all the subsequent notes to refer, sometimes scandalously, to the wrong cue in the text (note 4 is supposed to annotate what is erroneously numbered 3 in the text, etc.). And, an extreme case, a mock mathematical-theory article that occupies twelve pages of Gilbert Sorrentino's* novel Mulligan Stew (1979) contains 114 footnotes, all of which are essentially non sequitors.

These remarks, and the novels, all relate to the ways in which notes appear in printed books and articles. Even though I'm writing in a different medium here, I can refer to them without reproducing the notes they allude to because we are all so familiar with footnotes and annotations that we know what is meant. I recently sold my two-story house and bought a one-floor apartment, so I have to relate even to the part of the Coward quip about going downstairs to answer the door from memory and no longer from direct experience. Talking about annotating Ulysses in hypermedia is about changes of these kinds.


Screens in This Section
Introduction
Footnotes' Negative Image
Novelists' and Poets' Uses
Footnotes' Relations to Their Texts
Ulysses as a Text to Annotate
Thanks

Sections
Title Screen
Introduction
The Hypermedia Project
A Passage from Ulysses
Questions Regarding Annotations
Eight Possible Presentations
Works Cited