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| BIBLIOGRAPHY |
| Alice Maud Guldbrandsen & Thomas E. Kennedy |
Thomas E. Kennedy Bibliography |
| ESSAYS |
| Richard Michelson |
Leonard and Ted (and Me) |
| Elizabeth Stansell |
Masks and Whispers: The Complementary Poetry of Richard Michelson and Ted Hughes |
| Duff Brenna |
Thomas E. Kennedy's Copenhagen Quartet |
| Emily Atkins |
"Study That Tree": The Iconic Stage in Purgatory and Waiting for Godot |
| Janis Haswell |
Art: The Rebirth of Innocence in John Gardner's "Vlemk the Box-Painter" |
| Jennifer Larsen |
"Plotting the Benefit of the Human Race": The Freedmen's Bureau in John William De Forest's Miss Ravenel's Conversion and A Union Officer in Reconstruction |
| John Idol |
The Unities in Thomas Wolfe's "The Web of Earth," "I Have a Thing to Tell You," and The Party at Jacks |
| Frank Day |
Donne in Empson's Letters |
| FICTION |
| Forrest Anderson |
Coupons |
| Thomas E. Kennedy |
Let Everyone Forget Everyone |
| Brandon Wicks |
The Oubliette |
| Ric Jahna |
Hurricane Party, 2002 |
| IN MEMORIAM |
| Joe Scotchie |
Norman Mailer: An Appreciation |
| POETRY |
| Peter Moore |
The Doppel Gang |
| Mike Jurkovic |
Cattle Map |
| Steven B. Katz |
Beyond Yeats's Grave (illustrated) |
| Donald Illich |
Fireworks |
| M. K. Meder |
Last Respects • Fragments of a Poem by Archilochus: Papyrus and Ink |
| Krikor Nazar Der Hohannesian |
The Secret: Djamangeen gar ooo chagar (A Long Time Ago There Was and There Wasn't) |
| Christian Teresi |
The Dead and The Field Guide to North American Birds |
| Eric Davis |
Petit Manan • The Winner |
| Gladys Carr |
Personal (via Heraclitus@hotmail) |
| Chapman Hood Frazier |
The Frozen Embryo |
| Patricia Polak |
Sketchbook with Thoroughbred Hack |
| Ronald Moran |
Winds • Growing Up American |
| James Francis Cahillane |
Monsters |
| Elisabeth Murawski |
Shipwreck • Before the Distance |
| Robin Shectman |
Lake Almanor |
| Rachel De Baere |
Gone to Roady's |
| Arthur Powers |
Jardim Zoologico (Rio di Janeiro, 1999) |
| Charles Cantrell |
Dark Art |
| Perie Longo |
What I Forgot to Write |
| W. Dale Nelson |
Lakewood Center Idyll |
| Elizabeth Boleman-Herring |
Falling Down the Stairs at Fifty-Five |
| Myron Ernst |
My Evening Cigarillo |
| K. E. Duffin |
Answering Machine Elegy |
| D. E. Zuccone |
Three Portraits, Frida, Diego, and Lola |
| LuAnn Keener-Mikenas |
Greek Tragedy |
| Erich Hintze |
Hurry |
| E. M. Schorb |
New Year Near the Hudson |
| Lance Wilcox |
Tossing the Books |
| Terry Ehret |
How Words Began |
| Janet Carr Hull |
The Moment of Forgetfulness |
| Ted Lord |
Momentarily |
| Michael Salcman |
The Body Painted in Grief |
| Christian Knoeller |
Autumn on the Chilkat |
| THE REPUBLIC OF LETTERS |
| Skip Eisiminger |
Return to the Dementia Wards |
| Kathleen Groll Connolly |
Dear Madeleine |
| Nathan F. Elmore |
Revelry and Liturgy: On the Cultic Rite of College Football in Clemson, South Carolina |
| REVIEWS |
| Karon Luddy |
They Come Rare |
| Art Young |
The Pre-Raphs and Illicit Love |
| Skip Eisiminger |
Basketball's "Pistol Pete" |
| Helen Marie Casey |
History, Poetry, and Genre-Stretching |
| Dennis Sampson |
God in the Details |
| John Perryman |
Black Americans in the War for Independence |
| Ronald Moran |
Cleverly and Cunningly Created |
| Frank Day |
Between Allah and the Dutch Constitution |
| Elizabeth Stansell |
Flashes of Brilliance |
| TRANSLATION |
| Catharine Savage Brosman |
Morceaux de ciel, presque rien (Bits of Sky, Almost Nothing) by Claude Esteban |
EDITOR'S NOTE
During the month after the Clemson Literary Festival/SCR 40th-anniversary celebration, the winners of our poetry contest were picked by distinguished poet Laurence Lieberman. The winners are as follows: First Prize, George Drew for "Blessed"; Second Prize, David Hopes for "In a Summer of Almost Too Much Light"; Third Prize, Hastings Hensel for "Duck Blind." The Honorable Mention status was conferred to three poets: Ellaraine Lockie for "Autopsy Means to See with One’s Own Eyes," Susan Rich for "Hunger Is the Best Cook," and Thomas Cofield for "Igneous Carolinas: A Day in Five Perspectives." Look for these poems in the opening section of SCR 41.1 (Fall 2008), accompanied by observations by Lieberman as well as anecdotes and prognostications by Clemson’s first SCR managing editor (Bill Koon) and its present one, yours truly. —WKC
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