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The South Carolina Review Contents
Volume 41, Number 1, Fall 2008
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| Bill Koon | Parallel Lives |
| Wayne K. Chapman | Our Once and Future Aspirations: The South Carolina Review Since the 1990s |
| Kenneth Payne | Hal Darling, "Half-Pint Atlas": Ed Lacy's Visionary Private Eye in Strip for Violence (1953) |
| James Reitter | The Legacy of Three Southern Civil War Poets: Henry Timrod, Paul Hamilton Hayne, and Sidney Lanier |
| Catharine Savage Brosman | Constance Fenimore Woolson and the South |
| Jeanette Roberts Shumaker | Degeneration and Mesmerism in Wilkie Collins's Heart and Science |
| Terry W. Thompson | "He Sprang to the Machine": "The Secret [Technological] Life of Walter Mitty" |
| Mark Spencer | The Dark Side of the Renaissance: Par Lagerkvist's The Dwarf |
| Ronald Frame | The Americanization of Weaverie Wabster |
| Laura Hogan | Variations on a Theme |
| Gary Fincke | Black Smoke, White Smoke |
| Elaine Foster Palencia | The Princess Del Sarto |
| Adam Peterson | The Mortar of Fourths |
| Kim Chinquee | Olives and Fruit |
| Joe Scotchie | Mark Royden Winchell: Last of the Vanderbilt Greats |
| Joey Schumacher | On Considering Perspectives: A Discussion with Vivian Shipley |
| Claudia Labin | An Interview with Will Allison on His Debut Novel What You Have Left |
| Vince Clemente | Notes from an Archivist |
| Joel Allegretti | Lot's Wife |
| Vivian Shipley | Nature, Red in Tooth and Claw |
| Rebecca J. Foust | |
| Michele Santamaria | |
| Randy Blythe | The Fruit Thereof |
| Ken Autrey | Baggage |
| Lyn Lifshin | On the Day of the Longest Light |
| Rita Signorelli-Pappas | Epilogue for Baucis and Philemon |
| Devin Brown | Metaphor: Seeing One Thing as Another |
| Jessica Harmon | Moving Countries, Schizophrenic |
| Bonnie Standard | Shades of Gospel |
| Ronald Moran | |
| Maureen McHugh | After Edward Munch's Madonna |
| Hannah Craig | Letter to Myself after a Fender-Bender |
| Terry Ann Thaxton | Haircut |
| Karen Hildebrand | 1968 |
| Gary Every | |
| Kristin Berkey-Abbott | Lying in State |
| A. Mary Murphy | Irish Arithmetic |
| Roger Desy | After a Famine |
| Larsen Bowker | Marco Polo, Stella and Bengal Lights |
| Gary Leising |
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| Charlotte Pence | Gardening on Sunday |
| Adam Vines | Almost Clean |
| Chris Bullard | Pines |
| James Doyle | Charleston Railroad Depot, 1866 |
| William L. Ramsey | A Note on Surplus Value |
| Jan Hansen | Ode to a Reptile |
| James A. Baker | What I Would Tell You |
| John Grey | Martha's Wash Day |
| David Lawrence | Travelogue |
| C. P. Mangel | Redemption |
| Harry de la Houssaye | Cavafy |
| Miranda Merklein | Plymouth Circle |
| Kelly Terwilliger | Horse |
| Wayne K. Chapman | The South Carolina Review Poetry Contest 2007/2008 |
| George Drew | Blessed |
| David Hopes | In a Summer of Almost Too Much Light |
| Hastings Hensel | Duck Blind |
| Thomas Cofield | Igneous Carolina: A Day in Five Perspectives |
| Skip Eisiminger | Black Friday: A Love Story |
| Lokke Heiss | Frankenstein and the Matryoshka Chain |
| John Lane | The Girl in the River: The Wild and Scenic Chattooga, Ron Rash's Saints at the River, and the Drowning of Rachel Trois |
| Jim Megginson | Alma Mater She Shall Flourish |
| Joe Scotchie | The People's Historian |
| Robert C. Cheeks | The Resistance |
| Michele F. Cooper and Lee Glantz | Softening the Blows |
| Art Young | Working Through Pain |
| Kara McManus | A Contemporary Lesson in Early-Medieval Literature |
| Anis Shivani | A Consummation |
| Susan Tekulve | The Other Side of Chekhov |
| Phebe Davidson | Worth Every Minute |