Office: 609 Strode
Catherine Paul's research interests include transatlantic modernist studies, poetry/poetics, literature and visual culture, museum studies, memory studies, and pedagogy. Her current book project examines Ezra Pound's writings from the 1930s and 1940s in the context of cultural nationalist movements that were a part of Mussolini's fascist regime, to show how Pound's poetics changed as a result of his encounter with fascism. In 2009, she has had a year-long fellowship from the National Endowment for the Humanities and the Italian Consiglio Nazionale delle Ricerche to complete her book project.
W.B. Yeats, A Vision: The Original 1925 Edition. Co-edited with Margaret Mills Harper. New York, New York: Scribner, 2008. Print.
Writing Modern Ireland. Editor. South Carolina Review, 43.1. Clemson, South Carolina: Clemson University Digital Press, 2010. Digital.
Poetry in the Museums of Modernism: Yeats, Pound, Stein. Ann Arbor, Michigan: The University of Michigan Press, 2002. Print.
Ezra Pound and W. B. Yeats, in *W. B. Yeats in Context,* ed. David Holdeman and Ben Levitas. Cambridge and New York: Cambridge University Press, forthcoming.
“Ezra Pound and W. B. Yeats,” in W. B. Yeats in Context, ed. David Holdeman and Ben Levitas. Cambridge and New York: Cambridge University Press, 2010.
“Seamus Heaney’s Poetics” [Review of Professing Poetry: Seamus Heaney’s Poetics by Michael Cavanagh and Gravity and Grace: Seamus Heaney and the Force of Light by John F. Desmond], in South Carolina Review 43.1 (Fall 2010): 275-78.
“Venezia Passatista?: Luigi de Giudici and a Broader Futurism,” co-authored with Barbara M. Zaczek, published as the “Editor’s Choice” article, Visual Resources: An International Journal of Documentation 26:4 (December 2010): 331-66.
“Writing Modern Ireland: Introduction,” South Carolina Review 43.1 (Fall 2010): 3-4.
W. B. Yeats. *A Vision: The Original 1925 Version*. Ed. Catherine E. Paul and Margaret Mills Harper. Collected Works of W. B. Yeats 13. New York: Scribner, 2008.
Ezra Pound, Alfredo Casella, and the Fascist Cultural Nationalism of the Vivaldi Revival. 91-112. In *Ezra Pound, Language and Persona.* Ed. Massimo Bacigalupo and William Pratt. Genoa, Italy: University of Genoa, 2008.
Margherita Sarfatti and Italian Cultural Nationalism: Five Articles from *Il Popolo d’Italia*. Co-authored with Barbara M. Zaczek. *Modernism/modernity* 13:1 (January 2006): 889-916.
Reclaiming Ritual Space in Museum Poems of the 1960s and 1970s. *Crossings: A Counter-Disciplinary Journal of Philosophical, Cultural, Historical, and Literary Studies* 8 (2006): 43-62.
Marianne Moore’s *Observations*. 422-30. In *Blackwell Companion to Modernist Literature and Culture.* Ed. David Bradshaw and Kevin J. H. Dettmar. Malden, Mass. and Oxford: Blackwell, 2006.
Italian Fascist Exhibitions and Ezra Pound’s Turn to the Imperial. *Twentieth-Century Literature* 51:1 (Spring 2005): 64-97.
Poetry: It’s Not Just for English Class Anymore. Co-authored with Patricia Connor-Green, Jan Murdoch, and Art Young. *Teaching of Psychology* 32:4 (Winter 2005): 215-21.
Paul, Catherine. “Ezra Pound in Mussolini’s Rome,” in Roma/Amor: Ezra Pound, Love and Rome, AMS Press. Forthcoming.
“Compiling A Packet for Ezra Pound,” Paideuma 38 (Fall 2010). Forthcoming.
Writing Modern Ireland, a special issue of The South Carolina Review 43.1 (Fall 2010).
*Teaching and Learning Creatively: Inspirations and Reflections.* Ed. Patricia A. Connor-Green, Catherine Mobley, Catherine E. Paul, Jerry Waldvogel, Liz Wright, and Art Young. West Lafayette, Ind.: Parlor Press, 2006.