
One
of the main things that drew me to Clemson University as a freshman
was the beauty of its campus. Now as I get ready to graduate,
I've come to appreciate the things that really make Clemson so
distinctive.
Not only was Abe Wolfe Davidson
a famous sculptor, he was also a fellow Clemson student who contributed to
the uniqueness of our school. I take pride in the fact that his
sculptures are
part of what makes Clemson so special.
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While Davidson’s remarkable
sculptures can be seen throughout the Clemson campus, including
busts of J.C. Littlejohn and James F. Byrnes, his talent is displayed throughout
the
state and across the country. Elsewhere in South Carolina, Davidson’s sculptures
include governors, senators, university presidents and other famous citizens.
From the East Coast to the West Coast, Davidson’s work can be seen in numerous
museums and art centers, including a bust of Albert Einstein in Berkeley, Calif.
Thanks to Special Collections,
Clemson University Libraries, for archives and art.

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Outside
Clemson's newly renovated Littlejohn Coliseum stands one of
the University's most famous "residents" -- the Littlejohn
Tiger. It has quietly watched over more than three decades
of Clemson students.
But the Littlejohn Tiger has its own story to tell.
Its story, however, starts back at the even better known bronze sculpture of
Thomas Green Clemson in front of Tillman Hall. And the story of both Clemson
landmarks goes all the way to Vitebsk, Russia, over 100 years ago.
There, in 1903, was born A. Wolfe "Abe" Davidson,
destined to be one of Clemson's most unusual students.
While four of his brothers immigrated
to the United States prior to 1914, young Abe and his parents
remained in Russia. An early interest in art sent him to
the Russian National Art School in Vitebsk where he studied after
the Russian Revolution. In 1922, a brother succeeded in having
him and his mother smuggled
from Russia to Latvia.
Later that year, Davidson immigrated
to Greenville, S.C., at the age of 19. He continued his study
of art, sculpture
in particular, while being tutored
in the English language. He spent two years in New York City widening
his artistic knowledge through close observance of work in
museums and galleries. Stricken
with a serious illness in 1928 due to the aftereffects of the famine
in Russia, Davidson was an invalid for the next six years.
Despite the debilitating illness,
he was determined to continue sculpting.
In 1934, Davidson was admitted to Clemson College under very interesting
circumstances. Through special arrangements with President Enoch
Sikes and J.C. Littlejohn,
the College's business manager, Davidson was given a studio and
materials to construct a statue of Thomas Green Clemson. This cast
cement statue would serve
as payment for his room, board and tuition. Little did he know
his creation would become one of the University's most prized landmarks.
Davidson
worked at Clemson for two years and in that time sculpted the
cast-stone football panel at Fike Recreation Center and made
a portrait bust of President
Sikes.
In addition, Davidson was called
upon to design the commemorative half dollar for the 1936 Sesquicentennial
Celebration of the
state Capitol in Columbia.
He also produced sculptures of many prominent South Carolinians
and Georgians.
Davidson was a pioneer in establishing
Greenville's art association and art gallery, which is now
the Greenville
County Museum
of Art. He also taught part-time
at Greenville High School from 1936 to 1943. The outbreak
of war in 1943 sent him to Marietta, Ga., where he was coordinator
of
experimental engineering
at Bell Aircraft. He returned to teaching in 1948 and became
director of the art department at Brenau College in Gainesville,
Ga., a
position he held until
his retirement.
In 1966, Davidson was called back
home to Clemson. With funding from Blue Key, he prepared a
new plaster
model of the Thomas
Green Clemson
statue
for the
bronze casting now on campus. "The present statue
is a realization of a 30-year dream," stated Davidson.
A
few years later, after the construction of Clemson's
new basketball arena, the Littlejohn Coliseum, the University
called on the
artist again. This time,
Tiger Brotherhood commissioned Davidson to create another
work of art for the west side of campus. Using aluminum,
Davidson
sculpted the now famous Littlejohn
Tiger, a symbol of strength and beauty that was unveiled
at the dedication of the new Littlejohn Coliseum in 1969. Davidson
passed away in 1981 at the age of 78 in Gainesville, Ga., and
was buried in Greenville.
What started out as payment for
Davidson's college education has turned into one of Clemson's
most prominent
landmarks.
The Clemson
statue,
sometimes affectionately called "Old Green Tom," is
a focal point of the Clemson campus.
The Littlejohn Tiger
has become a Clemson icon, as well, and perhaps a symbol
of one of Clemson's most extraordinary
students.
With
its fascinating tale
of Abe Wolfe Davidson and all his endeavors, the Tiger
will continue to stand proudly outside Littlejohn Coliseum
for
many more decades
and students to come. |