Introduction to "Shakespeare's Female Icons: Sorcerers, Celebrities, Aliens, and Upstarts
by Francesca T. Royster
Ordinary Stardom: The Tragic Duality of Julia Stiles's Ophelia
by Natalie Jones Loper
Desi "was a ho": Ocular (Re)proof and the Story of O
by Dee Anna Phares
Rosalind's Musical Iconicity in Branagh and Doyle's As You Like It
by Kendra Preston Leonard
Ambition and Desire: Gertrude as Tragic Hero in Feng Xiaogang's The Banquet(2006)
by Niamh J. O'Leary
(Un)sexing Lady Macbeth: Gender, Power, and Visual Rhetoric in Her Graphic Afterlives
by Catherine E. Thomas
Condi, Cleopatra, and the Performance of Celebrity
by Francesca T. Royster
Shakespeare's Female Icons: Doing and Embodying
by Ayanna Thompson
The 2012 Season at London's Globe Theatre
by Peter J. Smith
The 2011 Oregon Shakespeare Festival
by Michael W. Shurgot
The 2011 Stratford Festival: Richard III and Shakespeare's Will
by Laura Estill
The Public Theater's Shakespeare in the Park: As You Like It (2012)
by Cameron Hunt McNabb
Anna Riehl Bertolet reviews Representations of Elizabeth I in Early Modern Culture(ed. Alessandra Petrina and Laura Toi)
David L. Orvis reviews What You Will: Gender, Contract, and Shakespearean Social Space (by Kathryn Schwarz)
Ryan Singh Paul reviews Shakespearean Thinking (by Philip Davis)
Wesley Kisting reviews Shakespeare's Freedom (by Stephen Greenblatt)
M. Tyler Sasser reviews Shakespeare / Adaptation / Modern Drama: Essays in Honour of Jill L. Levenson (ed. Randall Martin and Katherine Scheil)
Nancy Selleck reviews Twelfth Night: New Critical Essays (ed. James Schiffer)
Erin Felicia Labbie reviews Crossing Gender in Shakespeare: Feminist Psychoanalysis and the Difference Within (by James W. Stone)